Best Caribbean dish. . Creative Forces: NEA Military Healing Arts Network, Independent Film & Media Arts Field-Building Initiative, Historically Black Colleges and Universities (HBCUs), National Endowment for the Arts on COVID-19. Locked. "I dont want the kind of career where everything is sensible and safe; Id rather suffer through the anxiety of wondering where Im going next than suffer the boredom of dancing in the same safe square.". And it comes out in unintentional ways because it's begging for ritual, for a way to channel itself. Mattilda Bernstein Sycamore is most recently the author of The End of San Francisco, winner of a Lambda Literary Award. And in her series of poems, Journey Stone, she was like finding a way like how can I release those? You know what, youre right. And I'm wondering, I'm wondering if you have like hopes for the ways that people will engage with your scholarship as like time goes forward. ." Her books include Undrowned: Black Feminist Lessons from Marine Mammals, Dub: Finding Ceremony, M Archive: After the End of the World, Spill: Scenes of Black Feminist Fugitivity, and Revolutionary Mothering: Love on the Front Lines. web pages Alexis Pauline Gumbs was the first person to dig through the archives of several radical black feminist mothers including June Jordan, Audre Lorde, Lucille Clifton, and Toni Cade Bambara while writing her dissertation We Can Learn to Mother Ourselves: The Queer Survival of Black Feminism, a 500-page work. And while I'm focused on that groove and pace, then I'm like, Oh, these are things that I'm thinking this is what's coming up for me. And then I think from there, it's just a matter of like, okay, now I can, I think having that extra, it gives me something different to focus on. I have never read a poetry book that made me cry, but APGs words hit me deep. Its not a trilogy because its not a plot-based narrative that continues to develop through the books. In this impromptu speech where she was like, this is for the goddess in all of us. So I have this kind of eternal gratitude. But I don't enjoy so much that I have to like, stop what I'm doing and sing along with them. Are you ready to get into this interview? Because it has some of my favorite some of our favorite love songs. Alexis Pauline Gumbs is the author of Undrowned: Black Feminist Lessons from Marine Mammals, Dub: Finding Ceremony, M Archive: After the End of the World, and Spill: Scenes of Black Feminist Fugitivity, and co-editor of Revolutionary Mothering: Love on the Frontlines.In 2020, she was awarded the National Humanities Center Fellowship for her book-in-progress, The Eternal Life of Audre . And yet, not only is the book on an academic press, but, you discovered M. Jacqui Alexanders work while in a PhD program. So I want you all to choose a number, but I just forgot how many times how many days I've been writing about her. I have to be transformed again. Anything involving a bookstore or a place where you can be around a lot of different plants. All the things I learned about Audre Lorde? 5 66% (813) 4 22% (275) 3 9% (108) 2 2% (22) 1 0% (5) Book ratings by Goodreads. Abstract "We Can Learn to Mother Ourselves": The Queer Survival of Black Feminism 1968-1996 addresses the questions of mothering and survival from a queer, diasporic literary perspective, arguing that the literary practices of Black . And me too. I think the thing that I admire most about elders is getting to the space where you say exactly what you're thinking. The more I read it, the more gingerly I found myself handling its pages, despite the strength and determination of the women depicted within. show more. And it's this place of wonder. Great. Like, what will, is there any end to this vastness of what grief and in particular in terms of my dad passing away; what does that mean? Kim Adrian, The Rumpus, "[G]round-breaking. [CDATA[ MBS Although the book is on an academic press, it is written more like poetry. So if we're thinking like decades from now, and folks are studying your work, which duh, they should be, right? I tried to pull myself together real quick. Oh, Audre Lorde, as every day. I was just writing a biography, a new biography of Audre Lorde, and I was just reading to myself this particular chapter, that's about the dedication of the Audre Lorde Women's Poetry Center at Hunter College, which there's a recording of it. As is gratitude in the face of environmental decline. All rights reserved. And realizing like, oh, this is my inheritance. And I don't even like to use the word weaving, because it's like a layering more than it is a weaving. MBS The subtitle of M Archive is After the End of the World, and this vantage point allows you to look back at our world to offer incisive critiques of the violence of capitalism, technology, and electoral politics, what you call the combination of digital knowability and pretend participation. You write, they started by stealing the meaning, and Im wondering if M Archive is about taking the meaning back. The fourth wall is peeled away and one is suddenly witness to heartbreaking, inspiring and insightful scenes depicting fugitive black women and girls unsung and celebrated 'sheroes' seeking freedom from gendered violence and racism." Alexis Pauline Gumbs is a writer who politicizes the archivenot the rarefied commodity within gated institutions, but the daily practice of documenting, inspiring, and engaging with Black feminist resistance. (Laughs). And so I'm wondering, you know, what continues to draw you to that work? It actually feels like you are in conversation. Gumbss trilogy embraces the lyric beauty in the acts of naming, remembering, and finding ones way back to the source. In M Archive (Duke University Press), the second book in an experimental triptych, Gumbs looks back on our current cataclysm from the . LectureNotes. Wallace, Maurice O. Repository Usage Stats. I have been writing how perfect. We also want to give thank yous to the Poetry Foundation, Itzel Blancas, Ydalmi Noriega, Elon Sloan, Cin Pim, and Ombie Productions. What was it like in the 2020s. That meant o." Alexis Pauline Gumbs on Instagram: "My great grandfather John Gibbs was the coal and ice man in Perth Amboy New Jersey. And the constant turns in that poem, I was like, oh, let me, like best said, let me buckle up. Beyonc is giving me multiple modes. . APG The fact that we are always crossing, even though so much of the structure of our lives is designed to convince us that we are in a stable situation and to sacrifice everything and everyone for that fictional stability. The scenes read as half song, half sermon (though intimately pitched), and taken as a whole create a richly textured chorus through which an exhilarating and deeply intelligent life force surges." And so that's, that's part of what I'm dissolving, and unlearning. This is exactly what, because this is like, where I have gone in my hour of need. But before we get into this interview, best, I'm wondering whose art you could engage with and never get tired of? [The act of] breathing itself is so poetically rich. If I want to be sad, If I want to be sad, I can be sad. I can't listen to hymns when I'm writing, nothing will get done. This page was last edited on 21 April 2023, at 20:31. Crowdsourced audio pronunciation dictionary for 89 languages, with meanings, synonyms, sentence usages, translations and much more. Gumbs is a black queer poet and independent scholar and self-described troublemaker and love evangelist. She is the author of Spill and M Archive, both also published by Duke University Press. After the End of the World by Alexis Pauline Gumbs (review)", "Dub: Finding Ceremony , by Alexis Pauline Gumbs", "Dub: Finding Ceremony by Alexis Pauline Gumbs (review)", "Response to Alexis Pauline Gumbs' Undrowned: Black Feminist Lessons From Marine Mammals", "Review of Undrowned: Black feminist lessons from marine mammals by Alexis Pauline Gumbs", "Deep dives, deeper breaths: A review of "Undrowned Black Feminist Lessons from Marine Mammals" | SGD Institute", "How to Understand Mother as a Verb This Mothers Day and Always", https://en.wikipedia.org/w/index.php?title=Alexis_Pauline_Gumbs&oldid=1151087102, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, The first book in her trilogy and is a collection of poetry that engages in consistent dialogue with Hortense Spillers anthology titled, Gumbs second book in her trilogy centers on concepts of black life and black metaphysics from a feminist perspective and is in conversation with. At the same time though, you do know. And she wrote this essay for Seventeen Magazine when she was a teenager, like trying to find other science fiction attics, and just this whole thing about like the I was like, I never even knew that Audre Lorde was into sci-fi. Okay, we would ove to close by asking you to read us one more poem. on March 30, 2021, There are no reviews yet. I love your use of the term triptych here, instead of trilogy, which implies that the books are meant to be seen all at once, alongside one another, almost like visual art. That's all. Hosted by poets, History as Imagination: Black Dreaming as Liberation | Project Myopia, Roll Call: Three Castles and the Music City, Roll Call: All The Apostles are Black, All the Saints Queer, and All of Them Are Brave (Pt.2), Roll Call: All The Apostles are Black, All the Saints Queer, and All of Them Are Brave (Pt. Yeah. . And I think that poetry is part of what allows me to slow those down. The author discusses Black feminist breathing, academia as access point, and writing three books that came from the same decision. Alexis lives in Durham, North Carolina where she nurtures, and is nurtured by, a visionary creative community while seeming towards her dream of being your favorite cousin. . And I want to read all of them to be clear. It's making me wonder, really quick, before we move to our last question I was trying not to ask, but Im like I must (laughs). It definitely does depend on what I'm writing. Spill transformed me from a reluctant bystander of theory and poetry into a willing and enthused participant. All these things. Do you have any hopes for the way that they received that scholarship or what they do with that scholarship? You could say that the purpose of poetry is to use words to impact us on the level of breathing. 10 out of 10 and like that idea that if you've spent too long somewhere that you're either wasting time or that you should have been finished, you should have had it all figured out. Today, we have the absolute honor of interviewing Alexis Pauline Gumbs. The structure is poetry and narrative, swift and untethered to typical rules of writing. So much awe, so much love, Im like I just have to be with all the Black feminists, the way I can be with them is through the archival research, if the way I can be with them is through reading their poems over and over again, whatever that is, that's what I do. $$('.authorBlogPost .body img').each(function(img) { When I was writing, I was really surprised by the scenes that I saw and where I ended up, in the future and possibly on other planets. One of the first images that came in my writing process was of a woman on a planet made of sulfur watching her heart blacken into a future diamond. If I'm just like, researching, didn't wrap around my collaging, then it's rap. Lea Hlsen, KULT, "Inspired by the work of black feminist intellectual Hortense Spillers, Gumbs collection of poems appear as a series of powerful scenarios. Do you skate? Welcome back. Barbara Hoffert, Library Journal, "Spill is not just a poetic collection where art meets criticism or where art is criticism. I don't understand many of the references, definitely none of the ones to Sylvia Wynter's work, with which I'm completely unfamiliar. Annually, BOMB serves 1.5 million online readers44% of whom are under 30 years of age. When I start in everyday practice, I just know that I need to be in that practice. Language links are at the top of the page across from the title. And if I'm doing essays I pretty much those happen nonlinearly in that I text myself lines of them while I'm traveling or while I'm moving around until I got a essay. Thats how I see it. And she really used the vibration of the sound of her voice in a way that freed people from the smallness and the fear of their individuality. Just for that sound interpretation. Hello, everyone, my name is Ajana Dawkins, and I just got approved for a community garden club. But that's my, that's my hope. Listen, that line took all the restraint I had. Even once we reach each other, the crossing isnt over. But if we looked at it from the perspective of after all is said and done, what does it mean that I even have a machine that I can use to pretendto be someone, somewhere? It was like, oh girl, you ain't going deep enough. And it made so much sense because I was like, oh, right, she is like, actually, for me to exist, takes a more expansive frame than anything that people around me believe is possible. Gumbs, Alexis Pauline. BOMB's Oral History Project is dedicated to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora. You better beee. And that's okay. Read it aloud, feel it as you stumble your way through an apartment's tender floors. But part of that is also what feels like, I guess with obviousness, the very white landscape of Greek mythology. And this is something we ask everybody who comes onto our show. Thank you. About Alexis Pauline Gumbs. So returning to it is, in a way, returning to myself. How to say Alexis Pauline Gumbs in English? I think creating any form, whether that's like poems, or essays, or visual stuff, I think always starts with music. Breath After is a sound design piece created by Sangodare in collaboration with Sista Docta Alexis Pauline Gumbs's graduate seminar M Archive: Black Feminism After the End of the World using audio from a series of sound circles created with the scholars/students and inspiration drawn from their contributions to the M Archive Anthology called BREATHING THROUGH THE END OF THE . [Recites poem]. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story Evidence, M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. That was, that was delightful to me. Refresh and try again. She is such an important mentor and example for me, and as I was writing M Archive I sat with phrases from Pedagogies of Crossing as daily prompts. All of this means that Black feminists in toxic academic spaces have these books as oxygen sources that say: we are here to do more than reproduce this space and prove the unprovable. And it's also like, there's just no way to stay on the surface of my own emotions, while seeking to, at all, represent someone who lived her life refusing that for herself, and for the people around her, honestly. Maybe not (though, to be clear, it was never assigned in any of the courses that I took in that program). I don't know if it's been obvious we're a little tender as a group. On that day, I was with the marine mammals. I mean, right now, I'm just really geeking out about how much of a science nerd Audre Lorde was, and writing this biography, I've had to learn so much about geology, and about like, I didn't know there was something called astrobiology. So we'll, we'll start, we'll open with what is moving you today? Table of Contents Back to Top A Note ix Request 1 Commitment 3 Instructions 5 Opening 7 Whale Chorus 15 Remembering 21 Nunnuk 34 Boda 40 Anguilla 47 Another Set of Instructions 66 Red August 74 I love it. This includes cookies for access to secure areas and CSRF security. Like it's always, it's always within reach, its right here. Please, we cant take it. Patiently, even. But I dont. Through our free and searchable online archivea virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors. Listener, it is in fact a striking picture. you let it go. So the triptych is saying, "Look at this with me." Like Audre Lorde, Gumbs writes for the complexity of her vision." Breathe., and when you love. 5 Stars aren't enough for this sacred text but it's all we got so . Its addicted to critique, including the critique of its own existence. Thinking about it now, it is not that surprising that I would cross over into other spaces and times, since Jacquis work is so profoundly about crossing. Maria Velazquez, Cascadia Subduction Zone, "Gumbs seamlessly moves between historic reference, inherited memories, and a series of visions or a journal of dreams-the result is bigger than text itself. Sasha Panaram, New Black Man (In Exile), "Spill offers the kind of meditative history that lends itself to underlining passages, lines, entire pages. The fact that love is possible, teaches me everything about what love even is. Keep up. Like, am I crying? When I was wee young lad. I might have to start over from the beginning once I'm finished. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. Not only because she gave me that piece of advice, but because she does that in her work and life. . So this is the Oracle one. Kenya (Robinson) reflects on the end of her MFA program and becoming a professional artist. Unfortunately, this browser does not support voice recording. Oh, wow. [1][2] Gumbs advocates for other POC queer women and is commonly known as a Black Feminist love evangelist.[3] In her experimental triptych (Spill, M Archive, Dub), Gumbs explores the implications of humanitys struggle with ecological disruption and Black feminist theory and refusals. And when it's every day, it means that all the different things that are coming up for me in my life during every single day, different parts of this cycle, different seasons of the year, different parts of my emotional journey, different other things that happen in my life. I plan on coming back again. Breath After. I take time to think about the poems (many of them are paragraphs with no capital letters; many are best read out loud because of the rhythm, rhyme, and rap-like repetition of sounds), often journalling afterward. I now insist on another story. Been loved. She is author of Spill: Scenes of Black Feminist Fugitivity and coeditor of Revolutionary Mothering: Love on the Front Lines and the Founder and Director of Eternal Summer of the Black Feminist Mind, an educational program based in Durham, North Carolina. I wanted that to be a hard question, but it wasn't. And then I edit. Alexis Pauline Gumbs is a writer who politicizes the archivenot the rarefied commodity within gated institutions, but the daily practice of documenting, inspiring, and engaging with Black feminist resistance. It's like, all the transparent papers, like stacked on top of each other. When you think your heart will break, stay there, stay with it. Lara Mimosa Montes, Poetry Project Review, "Gumbss poetry takes up the detritus of the everyday that surrounds theory the affective social and political worlds in which black feminist theorists write and bends it, splits it, like a prism breaking a beam of light into a rainbow." Yes! Best tea flavor. Unfortunately, this device does not support voice recording, Click the record button again to finish recording. It's such a huge act of love that I especially feel from Black women poets, and writers who are like, this is for you who aren't even here yet. And so, she gave me my first concept of the idea that I should approach writing creating performance with some form of a ritual. For me, publishing these three books that engage theorists whose recognition is pretty strictly limited to academiathough Jacqui is going way beyond that in her work in Tobagospeaks way beyond those institutions. It's not like, you know, I live in a world where there's never any need for me to have a shield. So some like just slight level of physical discomfort with the comforting of tea if I'm doing like play or character work, then listening to songs that I think that the character I'm writing for would like listening to music that I think the character that I'm writing for would like. And what that will mean to different people at different times. And that is one of my favorite albums. . So you kind of can't see where one thing ends and begins. Like that does not register for me. We will keep fighting for all libraries - stand with us! Alexis Pauline Gumbs is cherished by a wide range of communities as an oracle and a vessel of love. Yeah, that's also a part of what the function of my poetry is in my life, and my process, and practice, and my need for Audrey Lloyd as a, as a teacher to guide is about that too. Like that, that's the that's how I know that's a lie. That didn't matter. It's just a lifelong relationship because she was in relationship with something that is so core that has to do with what life is, and how life is beyond even the experience of one body that I don't think it's possible to outgrow it. Alexis is a 2023 Windham-Campbell Prize Winner in Poetry. by Farid Matuk, Kenya (Robinson) And that's if I share anything that I write, it's an order to continue that and to pour back into what I feel like is this infinite well that I draw from, which is, which is love. And I'm not rushing, but I look forward to that space (laughs) very much so. Both wrenching and playful, it offers instructions (two sets of them), warnings, and its central bid to listen to the undrowned. Susan McCabe, Los Angeles Review of Books. And it's falling apart, because it's like, that is the same copy that I had. Im so in love. There are only two things I have to do, my mom taught me, and I can do them in the company of my choosing. Of all the things that you've learned, what surprised you the most? But in any, any, any form of creativity. So like to get to listen to Audre Lorde receiving these accolades from all of these people who are like, we love you, we place you at the center of poetry, and to hear her get up and just like, I mean, first of all, just be like, this event is about my three favorite things: beautiful women, poetry, and me. img.scaleToMaxWidth(385); SubjectsGender and Sexuality > Feminism and Womens Studies, Literature and Literary Studies > Poetry, African American Studies and Black Diaspora, "Gumbss writing has luscious urgency and rhythmic drive, which will make it of interest beyond its titular audience." Event.observe(window, 'load', function() { I think my most honest answer is Jesmyn Ward. Breathing. The risk is that in a moment where we have so many ways to impact and manipulate perception and meaning, we arrive at meaninglessness, a version of infinite possibility, an emptiness that capitalism can conveniently fill, or seem to fill. And there was like a different book of hers that I hadn't read yet, and I was like, okay, this is just, whew, it was giving me too many feels, so Ima have to pause this book and come back and read a different one of her books. Congratulation! That's what makes them able to engage faster than I could even have the thought. Okay, uncontested. And just the reality, and I know that it's like this, you know, with some of our foremothers, I can't actually imagine myself without what this work provided me at such a crucial time. Same. Because she loves us. The book communes with ancestral knowledge while offering conjectures of what could be, reminding us that Black women have always seen what comes next, past the edges of what seemed or seems possible. Spill is first and foremost a love offering to all Black women, but all readers who bear witness will leave its pages knowing of radical imagined possibilities and the difficult path laid before us toward elsewhere: 'our work here is not done.'" Statistic cookies help us understand how visitors interact with websites by collecting and reporting information anonymously. Oh, okay. I love that for us. Okay, so this one is Blue Asteroid. Engaging through a university press can influence the academic fields that have benefited from the labor of Black feminist thinkers. Top 5 easily. You know, the changed relationship to myself, and to the violence that I experienced, and the colonial violence of my whole education, but also physical and sexual violence that I survived in college was all there. We are crucially crossing between the many different oceans between us. Just a moment while we sign you in to your Goodreads account. But that would be maybe for the historians but for people in general, if it's not loving them, they could let it go. Like three pieces of art facing each other at different angles but framing something with the ways that they are positioned. But it does connect me to the legacy of those literary workers whose brave experiments have made my work and life possible. When I was like 18 or 19. And that was always also political. Right, like she has these like calcified memories of hurt and betrayal that she held on to. I really mess with that. Um, I know you mentioned in earlier correspondence that you've been researching, and archiving, and writing about, and thinking about Audre Lorde since you were like a teenager, right? No part of anywhere was free, Gumbs writes, as she pushes her prose into the gaps between meaning and feeling. But I also love the three favorite things! I dedicate my celebration of this award to those workers, including and especially the LGBTQ artists of color whose selection for this award terrified proponents of censorship in the arts. I believe that our movements, which have invested and sacrificed a lot to be included in academic institutions, can evolve past the colonization, classification and co-optation that allow those institutions to persist. Original Combahee River Collective member Chirlane McCray has been organizing for more equality, healthcare, and services as the wife of Bill de Blasio, current mayor of New York City. I need the rigor of someone who believed that poetry could give people access to a power within them, that would change everything. I think that one of the things that was like surprising and delightful to me that I learned about Audre Lorde in this process was that she just loved science fiction so much. and love is why., Alexis Pauline Gumbs is a poet, independent scholar, and activist. Alexis Pauline Gumbs Join us! Uploaded by And I think that was when I was like, you know what? Its an embattled project, for the same reason Black feminism is a project, a political legacy and a poetic imperative. And I'm so like, wanting to embrace the universe. . On the air? For poems, typically it is I might open with prayer, I cannot have anything that has lyrics in it, I cannot function as a human being. Its dangerous for me not to write. Because I'm like, nope, nope. 47,514 downloads. We and our partners use cookies to Store and/or access information on a device. Shouldnt it be a given? Alexis Pauline Gumbs vs. Chasing Awe April 25, 2023 00:00 00:00 On this week's episode, Brittany and Ajanae sit down with Alexis Pauline Gumbs; during this interview, they discuss the gift of literary inheritance, unlearning the colonial lens, and allowing curiosity and awe to guide one's research practice. you put it down. [4], Gumbs holds a PhD in English, African and African-American Studies, and Women and Gender Studies from Duke University. Some of that I didnt know, best. What about you? I think that's so beautiful. They are creating a frame for you, the reader, the community, whoever stands facing this work so they can be the place where all this intersects. adrienne maree brown is author of Emergent Strategy and Pleasure Activism and co-editor of Octavis's Brood. So the way this game is going to go is that we are going to give you a category and you are going to give us the best thing in that category. Continue with Recommended Cookies, Please So I'm like, yall, I'm not I'm not sad ballads are just like the joy of my heart. Bio. . How can I be with these beings? That answer is bringing up a lot of things for me in thinking about your work, specifically, in thinking about Undrowned. Gumbs creates a dialogue between herself andSpillers and simultaneously envisions new opportunities of relating Spillers to other black feminist thinkers. I think I always identified with Medusa, but for me, that poem was like, oh, this is all the unlearning that I had to do. I'm like, obviously, Toni Morrison, read every book, you what I mean, all of that. Or I don't want this to be the thing that I'm like, hinged on are stuck. I think that there will always be a question and an assignment for me in Audre Lordes poetry. I think the Academy for me, the Academy can make it the idea of research so clinical, the idea of methodology and modes of assessing and gathering information, this very clinical detached experience. Congrats! Adrien Julious, Authentically Adrien blog, "I am so grateful that Alexis Pauline Gumbs listens to Black women writers and scholars the way that she does. It's just that I have to follow my awe.
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